I think I can safely demand to be carried about in a Sudan chair from now on. The local paper did a little story on my acceptance onto a writer’s retreat for the Essex Book Festival.
Toodle pip!
I think I can safely demand to be carried about in a Sudan chair from now on. The local paper did a little story on my acceptance onto a writer’s retreat for the Essex Book Festival.
Toodle pip!
Guten tag! It’s freezing here and snow is covering the ground like pretty little drops of frozen water.
My short story Fingerprints on the Blind Tour is available to pre-order through issue #1 of Clash Magazine, have a peek and get yours!
Here’s a little video of updates, including some very good news I got yesterday. Hurrah!
I have returned!
I’ll just give a little personal update before looking up weird arty things to share. The first video is a vlog of my two weeks spent at home with Bill in Southend, Essex. The second is a reading (not live) of my occult science fiction horror short story.
If you ever wanted to learn how to make a Sidecar cocktail…ask Bill, not me. I’m also still reading my favourite stories each week here.
Hello my little dustpan brushes sprinkled with attractive gems. Recently I read Surrealist Women: An International Anthology. The kindle version is slightly cheaper than the hard copies but still costs a whopping thirty pounds. I do think it’s worth saving up for, however, as it is an almost exhaustive encyclopedia of all females involved in the art movement from the twenties to sixties counter-culture to now, including examples of their work.
The essays at the beginning of each new era, separated into chapters, refutes the idea that women were not as involved as men. While they were not seen as full members during the twenties they were just as passionate, and only a decade later their participation exploded. It only seems to be outside critics and scholars who have omitted them since.
I don’t know what I’m doing! Sometimes I think I do but, more often than not, the further into this writing game I get the more I realise I know far less than I thought. However help is at hand in the form of people who know a bit more than I do making words into microphones. Take their hand (don’t kiss it, it’s probably sticky) and follow them down a dark corridor. Or a well-lit one, whichever seems nicer.
Billing itself as the podcast for writers, readers and fans, Gregory A. Wilson and Bradley P. Beaulieu have been referred to as ‘the best interviewers currently podcasting about genre fiction.’ They’re also joined by Michael R. Underwood and all have a good background in writing weird. As well as in depth interviews they review books and discuss writing techniques and publishing.
Bizzong The Bizarre And Weird Fiction Podcast
If you like silly and daft you’ll feel at home here, but there’s a lot of information too. Frank Edler interviews a different weird writer each episode to discuss their work, life, and zombie Elvis.
The Horror Show With Brian Keene
Brian Keene seems like a nice man. He and his friends discuss horror fiction as a genre, the various news and points of interest facing horror authors and, well, pretty much anything else. It’s like having a nice cup of tea – except when they talk about something unpleasant, then it’s like having an unpleasant but interesting cup of tea.
This is also an informative podcast! Authors discuss their personal work, outlining stories, getting published, getting self-published and everything it entails – pretty much anything a horror writer needs to know.
Winner of the ‘This Is Horror’ award 2015, guests are interviewed about their books and writing techniques followed by ‘news from the weird.’ This is any information weird writers may find interesting such as anthologies looking for submissions.
Soothing and amusing, they chat with a guest on subjects ranging from beta readers, selling yourself, emotional arcs and mankinis with heels.
Zach Bohannon and J. Thorn ‘discuss all things horror’ including an interview with the director of The Invitation, horror news and interesting TV. Bless their cottons.
Ta dah! Fill your ears with facts and interesting titbits and may it help you on your journey. Don’t forget to pack a lunch!
Hello my little munchkin fruit parcels. This blog post was sent to me by writer and artist lady Betty Rocksteady and I found it helpful, so I think you will too:
Discover what deep POV is and and how to use this popular viewpoint in your fiction and stories. Give viewpoint characters deep POV.
Source: Deep POV—What’s So Deep About It
I’ve gone post mad this week! Normal business of talking about other people will be resumed shortly, never fear. However I’d like to share with you this interview I did yesterday.
It’s completely daft and doesn’t tell anyone a thing about me, but I did laugh a lot while replying to each question so it’s possible you might too. Or not, but I suppose you won’t know until you look.
Enjoy!
On Tuesday evening I read from my book Rainbows Suck at Dirty Dick’s, a pub in London. It was just like Midnight in Paris but with Periscope and space alien rainbows. The live video is below and, if you can’t hear a word of that, have a look afterwards at the video I made in the flat. I took along some postcards with a picture by my friend Steve and wrote little messages on the back for everyone.
While I was in Brick Lane The Vintage Basement told me they loved my clothes and took a photo of me for their social networks which was nice. I also took a picture for this post of the bracelet my friend made, because I think you’ll agree it’s really important.
Live Reading
Home Reading
Two posts in one day? Have the clocks been destroyed? Has my face melted into an Escher painting?
Word count is something that worries all writers or, if not, it probably should. Is it a novella? A short story? A microwaveable napkin?
OK, so for some definitive answers I suggest you trundle onto this post here by D. Robert Grixti, and it is definitely recommended – by me anyway, and what higher authority is there?
Hello my little slices of pepperoni. You may remember American bizarro author and all round anomalous egg Jeremy C Shipp from such books as Cursed (which got him nominated for the Bram Stoker award), Vacation, Fungus of the Heart and Sheep and Wolves.
He kindly assented to an interview regarding his work and writing in general (and to not press charges; I mean, kidnap is such a strong word) and here it is:
Which of your books is your favourite, and why?
J: One of my books that is near and dear to my heart (and spleen) is Cursed. The story was a blast to write, primarily because of the character Cicely. She’s a loveable weirdo with a heart (and spleen) of gold.
What impact has the Bram Stoker nomination made on your career?
J: I would say the main thing is that more readers have tried my books. Also, the nomination gave me super powers. For instance, with the power of thought alone, I can transform sporks into slightly smaller sporks.
What’s the one (or more) thing you keep in mind when writing gets difficult?
J: This is your dream, Jeremy. If you’re not going to fight to live your own dream, then you’ll have to live someone else’s. And that’s no fun.
How do your ideas come to you?
J: Dreams, nightmares, personal events, world events, people on the street, people in the clouds, a little goblin named Bob who lives in my skull.
Is it possible to make a successful living from writing?
J: Yes. Mostly, it just takes a lot of work and dedication. And skill. And luck.
Who are your heroes?
J: Super Grover, my family, my friends, Hayao Miyazaki, Joss Whedon, Felicia Day, Kurt Vonnegut, Larry Blamire, Tree Trunks.
Is being a Bizarro writer a natural state of being, or do you sometimes have to push yourself to make your ideas even weirder?
J: It’s my natural state. Sometime I have to push myself to make my ideas palatable for human consumption.
What goes through your mind when you see your published book/story?
J: Hooray! Book! Time to sing and dance and eat chili cheese fries!
Did (or do) you have to do a lot of networking to get your stuff popular?
J: I enjoy entertaining and connecting with people on Facebook and Twitter, and I believe it’s on these sites that most people first hear about me and my work.
Thanks Jeremy, you may live another year. Bye!