I’ll just give a little personal update before looking up weird arty things to share. The first video is a vlog of my two weeks spent at home with Bill in Southend, Essex. The second is a reading (not live) of my occult science fiction horror short story.
If you ever wanted to learn how to make a Sidecar cocktail…ask Bill, not me. I’m also still reading my favourite stories each week here.
Hello my little dustpan brushes sprinkled with attractive gems. Recently I read Surrealist Women: An International Anthology. The kindle version is slightly cheaper than the hard copies but still costs a whopping thirty pounds. I do think it’s worth saving up for, however, as it is an almost exhaustive encyclopedia of all females involved in the art movement from the twenties to sixties counter-culture to now, including examples of their work.
The essays at the beginning of each new era, separated into chapters, refutes the idea that women were not as involved as men. While they were not seen as full members during the twenties they were just as passionate, and only a decade later their participation exploded. It only seems to be outside critics and scholars who have omitted them since.
This passage offers an explanation for the reticence at the start (Andre Breton’s wife, Simone Kahn, wrote several letters to her cousin Denise Levy in the early years): “Although masculine egotism surely existed in the Surrealist Group, what is known of Kahn’s correspondence refutes the temptingly simple but shallow argument that the relatively small production of the first womensurrealists can be blamed on male chauvinism alone. What held these women back, more than likely, was a complex of inhibitions and fears inherited from centuries of French and European patriarchal, capitalist, Christian culture; notions of “feminine reserve,” “woman’s place,” and “biological destiny” that they had internalized more or less unconsciously as children and which continued to wreak havoc in their psyches in later years, despite themselves.”
The author mentions other biographies of individuals but Surrealist Women is packed with primary research and any omissions of a particular writer/artist’s contribution to surrealism is addressed. She also looks at surprising aspects of surrealism, such as it’s affinities with Trotsky and other leftist leaders as well as feminism. In the early thirties the wall street crash brought a tide of woman-hating against those who ‘stole the jobs of men.’ Two high profile murder cases took place in France during that time, the Papin sisters – maids who killed their bosses – and Violette Noizierre. Both were reported vitriolically by the press as examples of women running amok, but apparently the Surrealists were one of only a few groups to point out that all women involved were being abused and possibly acted in self-defense.
I discovered several writers and artists I had never heard of as well as learning more about others. As a huge fan of Anais Nin I was excited to discover Nelly Kaplan who, under the name Belen, wrote “erotic tales of black humor.” She is also a filmmaker, one of her best known being A Very Curious Girl (1967).
There was also Suzanne Cesaire, born in Martinique. Though her husband, Aime, often overshadowed her, she was very active and started the magazine ‘Tropiques’ with him. There’s Joyce Mansour, the best known Surrealist female poet once told by Breton himself “Your gift is that of a genius,” and Rikki Ducornet, artist as well as author, who has illustrated books by Jorge Luis Borges among others.
I enjoyed it and learned a lot, and now have plenty of further reading and art to explore, as will you.
I don’t know what I’m doing! Sometimes I think I do but, more often than not, the further into this writing game I get the more I realise I know far less than I thought. However help is at hand in the form of people who know a bit more than I do making words into microphones. Take their hand (don’t kiss it, it’s probably sticky) and follow them down a dark corridor. Or a well-lit one, whichever seems nicer.
Billing itself as the podcast for writers, readers and fans, Gregory A. Wilson and Bradley P. Beaulieu have been referred to as ‘the best interviewers currently podcasting about genre fiction.’ They’re also joined by Michael R. Underwood and all have a good background in writing weird. As well as in depth interviews they review books and discuss writing techniques and publishing.
Brian Keene seems like a nice man. He and his friends discuss horror fiction as a genre, the various news and points of interest facing horror authors and, well, pretty much anything else. It’s like having a nice cup of tea – except when they talk about something unpleasant, then it’s like having an unpleasant but interesting cup of tea.
This is also an informative podcast! Authors discuss their personal work, outlining stories, getting published, getting self-published and everything it entails – pretty much anything a horror writer needs to know.
Winner of the ‘This Is Horror’ award 2015, guests are interviewed about their books and writing techniques followed by ‘news from the weird.’ This is any information weird writers may find interesting such as anthologies looking for submissions.
I’ve gone post mad this week! Normal business of talking about other people will be resumed shortly, never fear. However I’d like to share with you this interview I did yesterday.
It’s completely daft and doesn’t tell anyone a thing about me, but I did laugh a lot while replying to each question so it’s possible you might too. Or not, but I suppose you won’t know until you look.
On Tuesday evening I read from my book Rainbows Suck at Dirty Dick’s, a pub in London. It was just like Midnight in Paris but with Periscope and space alien rainbows. The live video is below and, if you can’t hear a word of that, have a look afterwards at the video I made in the flat. I took along some postcards with a picture by my friend Steve and wrote little messages on the back for everyone.
While I was in Brick Lane The Vintage Basement told me they loved my clothes and took a photo of me for their social networks which was nice. I also took a picture for this post of the bracelet my friend made, because I think you’ll agree it’s really important.