New Short Story: Pre-Order Clash Magazine

Guten tag! It’s freezing here and snow is covering the ground like pretty little drops of frozen water.

My short story Fingerprints on the Blind Tour is available to pre-order through issue #1 of Clash Magazine, have a peek and get yours!

Here’s a little video of updates, including some very good news I got yesterday. Hurrah!

Southend Vlog And 1920s Horror Science Fiction Short Story Reading

I have returned!

I’ll just give a little personal update before looking up weird arty things to share. The first video is a vlog of my two weeks spent at home with Bill in Southend, Essex. The second is a reading (not live) of my occult science fiction horror short story.

If you ever wanted to learn how to make a Sidecar cocktail…ask Bill, not me. I’m also still reading my favourite stories each week here.

Book Review: Surrealist Women, An International Anthology

Hello my little dustpan brushes sprinkled with attractive gems. Recently I read Surrealist Women: An International Anthology. The kindle version is slightly cheaper than the hardsurrealist-women-cover copies but still costs a whopping thirty pounds. I do think it’s worth saving up for, however, as it is an almost exhaustive encyclopedia of all females involved in the art movement from the twenties to sixties counter-culture to now, including examples of their work.

The essays at the beginning of each new era, separated into chapters, refutes the idea that women were not as involved as men. While they were not seen as full members during the twenties they were just as passionate, and only a decade later their participation exploded. It only seems to be outside critics and scholars who have omitted them since.

This passage offers an explanation for the reticence at the start (Andre Breton’s wife, Simone Kahn, wrote several letters to her cousin Denise Levy in the early years): “Although masculine egotism surely existed in the Surrealist Group, what is known of Kahn’s correspondence refutes the temptingly simple but shallow argument that the relatively small production of the first women surrealists can be blamed on male chauvinism alone. What held these women back, more than likely, was a complex of inhibitions and fears inherited from centuries of French and European patriarchal, capitalist, Christian culture; notions of “feminine reserve,” “woman’s place,” and “biological destiny” that they had internalized more or less unconsciously as children and which continued to wreak havoc in their psyches in later years, despite themselves.”
Meret Oppenheim's 'furry cup'
Meret Oppenheim’s ‘furry cup’
The author mentions other biographies of individuals but Surrealist Women is packed with primary research and any omissions of a particular writer/artist’s contribution to surrealism is addressed. She also looks at surprising aspects of surrealism, such as it’s affinities with Trotsky and other leftist leaders as well as feminism. In the early thirties the wall street crash brought a tide of woman-hating against those who ‘stole the jobs of men.’ Two high profile murder cases took place in France during that time, the Papin sisters – maids who killed their bosses – and Violette Noizierre. Both were reported vitriolically by the press as examples of women running amok, but apparently the Surrealists were one of only a few groups to point out that all women involved were being abused and possibly acted in self-defense.
I discovered several writers and artists I had never heard of as well as learning more about others. As a huge fan of Anais Nin I was excited to discover Nelly Kaplan who, under the name Belen, wrote “erotic tales of black humor.” She is also a filmmaker, one of her best known being A Very Curious Girl (1967).
There was also Suzanne Cesaire, born in Martinique. Though her husband, Aime, often overshadowed her, she was very active and started the magazine ‘Tropiques’ with him. There’s Joyce Mansour, the best known Surrealist female poet once told by Breton himself “Your gift is that of a genius,” and Rikki Ducornet, artist as well as author, who has illustrated books by Jorge Luis Borges among others.
I enjoyed it and learned a lot, and now have plenty of further reading and art to explore, as will you.
Below is a short documentary about Leonora Carrington, also featured in the book. Incidentally one of her stories is in The Weird: A Compendium of Strange and Dark Stories, another I highly recommend.

7 Advice Podcasts For Writers Of Weird Fiction And Horror

I don’t know what I’m doing! Sometimes I think I do but, more often than not, the further into this writing game I get the more I realise I know far less than I thought. However help is at hand in the form of people who know a bit more than I do making words into microphones. Take their hand (don’t kiss it, it’s probably sticky) and follow them down a dark corridor. Or a well-lit one, whichever seems nicer.

Speculate!speculate!

Billing itself as the podcast for writers, readers and fans, Gregory A. Wilson and Bradley P. Beaulieu have been referred to as ‘the best interviewers currently podcasting about genre fiction.’ They’re also joined by Michael R. Underwood and all have a good background in writing weird. As well as in depth interviews they review books and discuss writing techniques and publishing.

Bizzong The Bizarre And Weird Fiction Podcast

If you like silly and daft you’ll feel at home here, but there’s a lot of information too. Frank Edler interviews a different weird writer each episode to discuss their work, life, and zombie Elvis.

The Horror Show With Brian Keenexkeene_horrorshow_podcast-cover.jpg.pagespeed.ic.K9Jc-hqB_E

Brian Keene seems like a nice man. He and his friends discuss horror fiction as a genre, the various news and points of interest facing horror authors and, well, pretty much anything else. It’s like having a nice cup of tea – except when they talk about something unpleasant, then it’s like having an unpleasant but interesting cup of tea.

This Is Horror

This is also an informative podcast! Authors discuss their personal work, outlining stories, getting published, getting self-published and everything it entails – pretty much anything a horror writer needs to know.

The Outer DarkTheOuterDark1

Winner of the ‘This Is Horror’ award 2015, guests are interviewed about their books and writing techniques followed by ‘news from the weird.’ This is any information weird writers may find interesting such as anthologies looking for submissions.

Dead Robots’ Society

Soothing and amusing, they chat with a guest on subjects ranging from beta readers, selling yourself, emotional arcs and mankinis with heels. deadrobotssocietypodcast

The Horror Writer’s Podcast

Zach Bohannon and J. Thorn ‘discuss all things horror’ including an interview with the director of The Invitation, horror news and interesting TV. Bless their cottons.

Ta dah! Fill your ears with facts and interesting titbits and may it help you on your journey. Don’t forget to pack a lunch!

Deep POV—What’s So Deep About It

Hello my little munchkin fruit parcels. This blog post was sent to me by writer and artist lady Betty Rocksteady and I found it helpful, so I think you will too:

 

Discover what deep POV is and and how to use this popular viewpoint in your fiction and stories. Give viewpoint characters deep POV.

Source: Deep POV—What’s So Deep About It

Nonsensical Interview With Me In Clash Magazine

I’ve gone post mad this week! Normal business of talking about other people will be resumed shortly, never fear. However I’d like to share with you this interview I did yesterday.

It’s completely daft and doesn’t tell anyone a thing about me, but I did laugh a lot while replying to each question so it’s possible you might too. Or not, but I suppose you won’t know until you look.

Enjoy!

Live Reading Of Bizarro Book Rainbows Suck, Eraserhead Press, At Dirty Dicks In London

On Tuesday evening I read from my book Rainbows Suck at Dirty Dick’s, a pub in London. It was just like Midnight in Paris but with Periscope and space alien rainbows. The live video is below and, if you can’t hear a word of that, have a look afterwards at the video I made in the flat. I took along some postcards with a picture by my friend Steve and wrote little messages on the back for everyone.

While I was in Brick Lane The Vintage Basement told me they loved my clothes and took a photo of me for their social networks which was nice. I also took a picture for this post of the bracelet my friend made, because I think you’ll agree it’s really important.

Live Reading

Home Reading

The Vintage Basement, Brick Lane
The Vintage Basement, Brick Lane

rainbow-bracelet

Postcard front
Postcard front
Postcards back
Postcards back

Novel, novella, short story? The word count difference in writing

Two posts in one day? Have the clocks been destroyed? Has my face melted into an Escher painting?

Word count is something that worries all writers or, if not, it probably should. Is it a novella? A short story? A microwaveable napkin?

OK, so for some definitive answers I suggest you trundle onto this post here by D. Robert Grixti, and it is definitely recommended – by me anyway, and what higher authority is there?

Interview with author Jeremy C Shipp

Hello my little slices of pepperoni. You may remember American bizarro author and all round anomalous egg Jeremy C Shipp from such books as Cursed (which got him nominated for the Bram Stoker award), Vacation, Fungus of the Heart and Sheep and Wolves.

He kindly assented to an interview regarding his work and writing in general (and to not press charges; I mean, kidnap is such a strong word) and here it is:

Which of your books is your favourite, and why?

J: One of my books that is near and dear to my heart (and spleen) is Cursed. The story was a blast to write, primarily because of the character Cicely. She’s a loveable weirdo with a heart (and spleen) of gold.

 

What impact has the Bram Stoker nomination made on your career?

J: I would say the main thing is that more readers have tried my books. Also, the nomination gave me  super powers. For instance, with the power of thought alone, I can transform sporks into slightly smaller sporks.

 

What’s the one (or more) thing you keep in mind when writing gets difficult?

J: This is your dream, Jeremy. If you’re not going to fight to live your own dream, then you’ll have to live someone else’s. And that’s no fun.

 

How do your ideas come to you?

J: Dreams, nightmares, personal events, world events, people on the street, people in the clouds, a little goblin named Bob who lives in my skull.

 

Is it possible to make a successful living from writing?

J: Yes. Mostly, it just takes a lot of work and dedication. And skill. And luck.

 

Who are your heroes?

J: Super Grover, my family, my friends, Hayao Miyazaki, Joss Whedon, Felicia Day, Kurt Vonnegut, Larry Blamire, Tree Trunks.

 

Is being a Bizarro writer a natural state of being, or do you sometimes have to push yourself to make your ideas even weirder?

J: It’s my natural state. Sometime I have to push myself to make my ideas palatable for human consumption.

 

What goes through your mind when you see your published book/story?

J: Hooray! Book! Time to sing and dance and eat chili cheese fries!

 

Did (or do) you have to do a lot of networking to get your stuff popular?

J: I enjoy entertaining and connecting with people on Facebook and Twitter, and I believe it’s on these sites that most people first hear about me and my work.

Thanks Jeremy, you may live another year. Bye!