5 Dada And Surrealist Silent Films

Hello my little carts before the horse, I’ve still got a ton of editing to do so here are some original, silent Surrealist and Dada films. Toodle pip!

Entr’acte (1924)

Directed by Rene Clair (though multiple people worked on the project), this was first shown during the intermission of a Swedish ballet at the Theater of Champs Elysées in Paris. Erik Satie provided the music for this and the ballet on the night.

Jujiro (1928)

Directed by Teinosuke Kinugasa, Jujiro (Crossroads) was the most successful Japanese export to the West before Rashomon. Kinugasa belonged to the Dada and Surrealist influenced art collective Shinkankakuha (New Sensationalists).

I couldn’t find a copy with English subtitles, sorry!

The Life and Death of 9413 A Hollywood Extra (1928)

I’m fascinated by the dark side of Hollywood (aren’t we all?) so this might be my favourite. Directed by Robert Florey and Slavko Vorkapić, the film was inspired by Florey’s own Hollywood experiences and features early use of Vorkapić’s film-making invention, the montage. Made in America, it was very successful.

The Seashell And The Clergyman (1928)

Touted now as the first surrealist film, Germaine Dulac’s film was overshadowed at the time by Un Chien Andalou, made a year later, and was not well received. Dulac’s films often featured feminist themes.

Emak Bakia (1926)

Man Ray is one of my favourite surrealists, possibly because of his amazing fashion photos. Kiki of Montparnasse (Alice Prin) makes an appearance, the artist’s model, nightclub singer, memoirist, painter and all round fabulous 1920s bohemian. Emak Bakia means Leave Me Alone in Basque.

Kiki of Montparnasse
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