La Belle Epoch (or golden era, roughly 1871 to 1914) of Paris certainly enjoyed life on the dark side. Not only were gory horror plays performed for those looking for late night thrills, a person could chat about philosophy and the meaning of death over a coffin table.
The Grand Guignol was a style of theatre steeped in gore and fear that continued right up until 1962. Rich and poor alike would go to a performance and prepare to be terrified. Read more here.
The Heaven and Hell nightclubs were fantastically intricate drinking spots. The 
Cabaret of the Inferno was described thusly:
“Enter and be damned, the Evil One awaits you!” growled a chorus of rough voices as we hesitated before the scene confronting us. Near us was suspended a caldron over a fire, and hopping within it were half a dozen devil musicians, male and female, playing a selection from “Faust” on stringed instruments, while red imps stood by, prodding with red-hot irons those who lagged in their performance.”
After this spectacle patrons would visit the Cabaret of the Sky, a much more divine affair.
The club I find most intriguing, however, is the Cabaret of Nothingness:
“Large, heavy, wooden coffins, resting on biers, were ranged about the room in an order suggesting the recent happening of a frightful catastrophe. The walls were decorated with skulls and bones, skeletons in grotesque attitudes, battle-pictures, and guillotines in action. Death, carnage, assassination were the dominant note, set in black hangings and illuminated with mottoes on death.”
To read more about these fascinating clubs visit here.
Well, there we have it, much more interesting than Euro Disney don’t you think?
Madeleine Swann 