From Ferris Bueller To The Shining To Willy Wonka, 5 Weird And Crazy Movie Fan Theories Online

You kids and your crazy ideas! If you’re not making bathtub gin you’re expounding theory after theory on whether Marsellus Wallace’s soul is in the Pulp Fiction briefcase, or Aladdin is really a futuristic apocalyptic wasteland, or War of the Worlds is really the sequel to ET which was about an alien scouting planets to invade.

So, without further ado, here are my favourites from the dark hinterland of the web.

1. Absolutely anything in Room 237. The people in this documentary of theories surrounding The Shining could certainly be described as…dysfunctional.

The ideas range from Stanley Kubrick deliberately placing messages in clouds to imagery incorporating the Minotaur’s Maze, with Jack Torrence as the angry bull in it’s centre (the second is possible, or have I just been reading too many theories?). However the biggest and most complicated are probably the ‘Native American genocide‘ theory (follow links if you don’t mind spoilers) and the ‘moon landing theory.’

2. ‘Up’ is Carl’s journey through the afterlife. OK, I don’t mind admitting I wept up-movie-1harder than a banker in a recession during the first ten minutes of Up, there’s no shame in that. However an extra poignancy could be added by suggesting the old man, Carl, died and everything from then on became a complicated metaphor for his ascendance to Heaven.

This theory speculates that the young lad accompanying him is an angel trying to earn his wings (final merit badge). He also represents Carl and his wife’s inability to have children (!). Muntz represents Hell, my favourite sentence in the theory being: “Muntz is Evil, of course, resplendent upon a story of lies at first and commanding the Hounds of Hell.”

One of the main sticking points for viewers of the film/movie is the size and amount of balloons needed to tear the house from it’s foundations. However I like the magic realism and I’m perfectly happy to just say: It’s about an old man with a bunch of balloons floating through the air.

3. Ferris Bueller exists only in Cameron’s head. Ferris-Bueller-s-Day-Off-ferris-bueller-2540917-1600-900In some sort of bizarre Fight Club twist Ferris and his girlfriend Sloane represent Cameron’s need to cast off self doubt and grow up a bit. In scenes where the three of them interact he is really alone.

Apparently supporting the idea is “There are “save Ferris” messages all over the city. This represents how Cameron wishes someone would care about him and also helps the idea that the film is merely a fantasy.”

4. The Fresh Prince Is Dead. Though not technically a movie, this one’s here because it made me laugh out loud. Here’s the entire post: 

5. The secret ingredient in Wonka Bars is children. Everyone goes nuts for the Willy Wonka and the Chocolate Factory movie imagecreepy and psychopathic Willy Wonka’s chocolate bars, but what’s in them that makes them so addictive? According to one theory (and, apparently, Roald Dahl in the actual book, which renders this not so much a theory as a disturbing fact), it’s the naughty children.

Not sure? The theorist has it all worked out (and plenty more): “Wonka has some Oompa Loompas take (Violet) to the Juicing Room to get back to normal. Turning into a fruit is a pretty big effect and doesn’t seem like some kind of mistake and showing it off to a bunch of careless, candy-loving kids is not a smart idea.

“When Wonka captured children, originally, in order to make a child even more useful, he fed them these dinner gums so they can become different fruits and taken to the juicing room to get an endless supply of “natural” flavors. The Television Room’s original use may be obvious: turning kids bite-sized in order to harness all of their flavors for a candy. The shrunken kids could of also been used for manufacturing tiny aspects of small candies, like molding them.”

A Lovecraft Dream – short animation movie plus The Raven read by James Earl Jones

Here’s a pretty little short based on Lovecraft’s The Call of Cthulhu, made just for you by ‘Michele Botticelli’ (any relation to Venus I wonder):

And as an added bonus here’s James Earl Jones reading Edgar Allen Poe’s The Raven:

The original big screen twists

We’ve all seen them, the movie endings that have been done so many times they’re nothing more than a cliche. But imagine the first time it was seen, it would have been thought of as a stroke of genius.

Here are a few examples of classic films employing the twists we’ve come to know and love.

*warning* contains extreme spoilers.

1. “It was all a dream,” Dead of Night, 1945.

An architect arrives at a genteel British house party where he reveals to the guests he’s seen them all before in a dream. He then begins to predict events that will happen, leading to death.

This film boasts ‘the scariest moment in film,’ which many modern viewers may disagree with but is still rather creepy, especially if you don’t like ventriloquist dummies. Its also the picture that began the portmanteu, or several stories linked by one, format employed by Amicus films.

2. “I was making it all up,” Cabinet of Dr Caligari, 1920.

Two friends competing for the same woman visit a travelling carnival, where Dr Caligari announces that his somnambulist slave Cesare can predict the future. One of the friends asks him to predict his fortune, to which Cesare replies, “You will die before dawn tomorrow.”

Part of the German expressionist movement, this film by Robert Wiene includes trippy set designs and dreamlike performances, and has to be the first film with a twist ending full stop.

3. “I was dead all along,” Carnival of Souls, 1962.

Mary Henry is involved in a car accident but manages to crawl free. She begins a job in a new town as a church organist, but is plagued by strange visions and sounds. She finds herself drawn to an abandoned carnival, where the truth is revealed.

Many, many films are still doing this twist. In my humble opinion Donnie Darko is merely a convoluted version of this film. Despite its obvious low budget, Carnival of Souls is still quite entertaining.

4. “It was me all along,” Stage Fright, 1950

This Hitchcockian crime tale sees Jonathan, a young actor, confide in his friend Eve that the actress he’s been having an affair with, Marlene Dietrich, has committed murder. Eve and Jonathan investigate, leading to one of the now most overused endings of the movies (Switchblade Romance I’m looking at you).

When the film was released some people had a problem with the ‘lying flashback.’ The Jonathan character relays a story to Eve which turns out to be a lie. Nowadays incorrect flashback is acceptable as even CSI uses it to portray theories, but at the time flashback had only been employed to show the gospel truth. This led many viewers to have little sympathy for the Jonathan character.

Well, there we are! They’re the genius endings which became the cliches of the future, watch them and rejoice!

A lovely list of psychedelic movies

In order to celebrate the brilliant Mad Men’s entry into 1967, I decided to share with you some of my favourite psychedelic/hip/groovy movies.

Some good, some great, others just bizarre, feast your eyes on this list of eye-wateringly colourful (except for the black and white one) offerings. If there’s any I’ve forgotten, please add in the comments:

1. The Trip. Directed by Roger Corman, written by Jack Nicholson (I know?), Peter Fonda takes acid, is victimized by a man with a chair, drinks with a dwarf, watches painted boobs jiggle around and visits some seriously psychedelic houses. Dennis Hopper wins award for the amount of times he fits the word ‘man’ into one single speech:

2. More. Rather more downbeat, I like the European feel of this one; the director and main actor are German. He meets a lady in England and they go to Spain. She’s a hippie but she pulls him into heroin addiction. She also wears great clothes.

3. The Strawberry Statement. Rather sweet and funny film about a student slowly getting involved with the protests. Harold of Harold and Maude (Bud Cort) also makes an appearance.

4. Psych Out. Very silly romp through late sixties San Fransisco as Jack Nicholson (again?) helps a square deaf chick look for her brother and plays in a terrible band. Groovy:

5. Joe. Dark look at one man’s bitter take on the free love and drug scene. The screenplay was by Norman Wexler, the man reputed to be the insane Mr X in Bob Zmuda‘s biography on close friend Andy Kaufman.

6. Smoke and flesh. Nothing happens in this film. I really mean it. I think one of the main reasons I like it though is my endless nosiness for what people might get up to behind closed doors.

Basically, a bunch of groovy swingers have a party, wait for the weed to arrive, get stoned, talk about stuff and then complain about the bikers who arrive later. One of them spikes a biker with acid, which I think is a bit mean.

7. Performance. Part film part art installation, gangster James Fox goes on the run and finds himself staying with Mick Jagger and his two hippie girlfriends. Sex, drugs and identity crises ensue:

8. Magic Trip. One Flew Over the Cuckoos Nest author Ken Kesey went on a road trip in 1964 with The Merry Band of Pranksters, Neal Cassedy (inspiration for Dean Moriarty in On the Road) and a few attractive ladies, and this documentary was born.

Whether you like them and agree with them or not is irrelevant, this is a slice of life and history which also includes Kerouac, Ginsberg, Timothy Leary and the World’s Fair.

So there we are, my list is currently at an end though I’m sure there are more to be added. I shall leave you with a song, swinger-tastic nineties offering Mr Excitement by Tipsy: