A modern sideshow (kind of)

Last weekend I went to the circus in the 1930s. I’m clever like that. I had heard that the Roundhouse theatre was having a ‘Circusfest‘ during a previous London jaunt, and when I saw an ad for Professor Vanessa’s Wondershow – where the main stage would be transformed into a travelling circus on a village green – I got a ticket before asking if anyone else was free. I’m always assured of good conversation when I’m alone anyway.

So…after skipping around Brick Lane and Camden Lock, where the colourful clothes live, I found myself in the theatre main space breathing in the sickly smell of candyfloss and popcorn. On the way in I passed penny arcades and lurid posters, and was greeted with a row of tents lining the perimeter. I was excited!

In the middle of the floor was a small stage and here I watched a French, juggling tight-rope walker (I nearly proposed marriage there and then), a girl hula hooping with fire, aero-rope girls up above and… giant wasp taming. Everyone was free to wander and visit whichever tent they wanted, though its a lot to get through in only two hours.

Though I was at first concerned I would be having a ‘genuine’ sideshow experience (blockheads etc I love, but I’m really not sure about ogling a disabled person), I was quickly reassured that most acts were a mirror show. For example, ‘the Mummy’ featured a woman in Egyptian regalia transform into a centuries old mummy ” before our very eyes,” before she chased us out of the tent. Another showed early film clips and, being such a fan, it meant a lot to see them how they would have been at the very start of the twentieth century.

It was good fun; the tent shows were surreal entertainment and some of the stage acts in the middle were beautiful to watch. I always like a trip to the circus and if there are any French, tightrope walking jugglers out there come and find me.

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